2 декабря
Press
“This performance of the Pathétique, lucid, well-paced and detailed, left no doubt he has plenty to say.”
– Bachtrack / Rotterdam Philharmonic Orchestra
Press
Today 20 January 2020
1 декабря
1 December 2014
Souveraene Leitung
Russisches Staatsorchester spielt mit Marc Bouchkov Tschaikowsky und Glasunow
5 ноября
5 November 2014
New generation of young stars in Moscow Philharmonic
We've heard a great orchestra, an interesting conductor, a good contact with invited maestro and as a result a very vivid interpretation performed by S. Kochanovsky.
8 октября
8 October 2014
High level of music making
Stanislav Kochanovsky perfectly coped with one of the most complicated symphonic scores - 4th symphony by P. Tchaikovsky. An excellent ensemble of all instruments surprised with coherence, sound culture, high level of musicality.
1 октября
1 October 2014
Kaliningrad Philharmonia ganed the name of Evgeny Svetlanov
«The fact that today is named Philharmonic Svetlanov - it is also a great sign of respect, a tribute to the outstanding Russian musician».
29 сентября
29 September 2014
Festival Salento Classica: Beethoven ultimo atto
Interpretazione raffinatissima del pianista Andrea Lucchesini. Stanislav Kochanovsky dirige impeccabilmente un'Orchestra sempre valida e motivata
2 июня
2 June 2014
Dalla Russia i fantasmi della classicità
Filarmonica Toscanini conclusa al Paganini con KOCHANOVSKY la rassegna «TUTTI PER UNO»
11 апреля
11 April 2014
Rome goes Russian
"Kochanovsky was not just vital in his communication with the orchestra. Every soul in the audience was with him on this adventure."
9 апреля
9 April 2014
A Santa Cecilia la Grande Musica e i Colori della Russia
"Stanislav Kochanovsky has been a true revelation. He is a young conductor ready to be one of the protagonists of the musical life of the future."
8 апреля
8 April 2014
The Charm of the Russian East: Rimsky-Korsakov and Mussorgsky led by Stanislav KOCHANOVSKY
"The aristocratic gesture, feeling languid and poetic Kochanovsky emerge here at best: it gives the right time, with the left hand caress the clay model of the sound..."