The occasion brought young Russian conductor Stanislav Kochanovsky to London for the first time. He has been making waves around Europe and beyond, and we now heard just why.
Kochanovsky was at his best, though, in giving the ‘Leningrad’ shape, grandeur and ambiguity without imposing an overtly illustrative story-line, and it was this breadth that in the end guaranteed the impact of this superb performance.
Kochanovsky’s very strong pulse, his paramount concern for phrasing and dynamic proportionality, the choice for the affect instead of the effect, the rightly sharp but well-dosed contrast between exuberance and intimacy
From the opening notes, Kochanovsky elicited a sharp, crisp tone from the RTÉ National Symphony Orchestra while keeping the rhythm taut. With blaring brass and fun cross rhythms, Kochanovsky made this a dramatic, lively rendition of this delightful overture…
06 Oct 2018 Britten and Prokofiev with National Orchestra of Belgium at BOZAR, Brussels
Italian premiere of "Azul" by Golijov and Forth Symphony by Brahms.
“Under the baton of the energetic Russian conductor Stanislav Kochanovsky, the phalanx delivers a dazzling performance of intensity and sensitivity..."
La direction dynamique et précise du chef confère tout son éclat à cette partition aussi rare au concert qu'inhabituelle dans l’œuvre de Tchaïkovski.
Stanislav Kochanovsky offers a spectacular narrative epic in which, playing with the no less spectacular dynamics of the National Orchestra of the Capitol of Toulouse, brass and percussion triumphant, it animates sumptuous cinematographic paintings where one can only be subjugated by the debauchery of sound effects and through the vision of living images.